Creative industries · Visual effects

Enhanced AVEC for UK Visual Effects Expenditure

The additional VFX credit is an enhancement within the Audio-Visual Expenditure Credit for qualifying UK visual-effects expenditure on eligible films and high-end television programmes. It increases the headline expenditure-credit treatment for that qualifying VFX expenditure to 39% and removes that expenditure from AVEC’s normal 80% restriction.

It is not an additional 39% on top of standard AVEC. The completion-period calculation takes account of the relevant AVEC already claimed on the same expenditure, so the enhancement adjusts the overall position rather than sitting alongside it.

An expenditure credit is taxable and then passes through the statutory redemption mechanism. The 39% figure is a headline rate, not a guaranteed cash benefit, and no production should be budgeted on the assumption that the headline percentage will be received in cash.

Reviewed: August 2026 — technical guidance reviewed by Singletree Accountants Ltd. For the wider picture, see our creative industry tax reliefs overview. The Government’s policy paper on the additional tax relief for visual effects sets out the measure.

Who may qualify

The principal target categories are qualifying films and qualifying high-end television programmes. Those are the productions for which the enhanced visual-effects treatment is designed.

Qualification remains subject to the underlying AVEC conditions, the production-company rules, the separate production trade requirement and the applicable British certification or official co-production requirements. Satisfying the visual-effects conditions does not help if the production itself does not qualify for AVEC in the first place. HMRC sets out the qualifying conditions for the additional VFX credit in its manual.

Productions requiring different treatment

Independent films using the Independent Film Tax Credit cannot also claim the additional VFX credit. Productions claimed under the animation or children’s television AVEC categories do not simply receive this enhancement automatically.

Where a production could potentially fall within more than one regime, the classification and any election consequences must be checked project by project. There is no universal answer for a dual-category production. Video games fall under the Video Games Expenditure Credit rather than the audio-visual rules, so the VFX enhancement does not apply to them.

Production categories and their position in relation to the additional VFX credit
Production categoryPosition on the additional VFX creditDetail
Standard qualifying filmMay potentially qualifyA film meeting the ordinary AVEC conditions may potentially access the enhancement for its relevant qualifying UK visual-effects expenditure, subject to certification, the production-company rules and the statutory VFX conditions.
Qualifying high-end television programmeMay potentially qualifyA high-end television programme meeting the ordinary AVEC conditions may potentially access the enhancement on the same basis, subject to the applicable slot-length, cost-per-hour and certification requirements.
Independent film using IFTCCannot claim the additional VFX creditA certified independent film claiming the Independent Film Tax Credit cannot also claim the separate additional visual-effects expenditure credit. Where visual-effects expenditure is significant, the comparison between standard AVEC and IFTC should be made project by project.
Animation or children’s television productionNot automatic — classification must be checkedA production claimed under the animation or children’s television AVEC categories does not simply receive this enhancement automatically. Where a production could fall within more than one category, the classification and any election consequences must be checked project by project.
Video gameOutside this enhancementVideo games are dealt with under the Video Games Expenditure Credit rather than the audio-visual rules, so the additional VFX credit does not apply to them.

Effective dates

Expenditure from 1 January 2025

Relevant qualifying expenditure must be incurred on or after 1 January 2025.

Claims from 1 April 2025

Claims for the additional VFX credit became available from 1 April 2025.

Completion period or later

The enhancement is generally claimed only for the completion period or a later period.

The three expenditure conditions

Expenditure must satisfy all of the relevant statutory conditions before it can form part of an enhanced VFX claim. In broad terms it must be:

  • relevant global expenditure;
  • UK expenditure; and
  • incurred on relevant VFX work carried out in the UK.

These conditions cannot be reduced to “the supplier is British”. Each limb has to be evidenced separately, and expenditure that meets one limb may still fail another. HMRC explains what constitutes relevant visual-effects expenditure in its manual.

What “carried out in the UK” means

The relevant question is generally where the person performing the work is physically based. A vendor’s registered office or group headquarters does not decide the answer, and a UK-registered supplier can deliver work performed by artists based overseas.

Work performed by UK-based artists may potentially qualify even where the cloud infrastructure used is located overseas. Conversely, mixed UK and overseas activity requires a just and reasonable apportionment supported by underlying records.

Supplier invoices alone may not prove the physical work location. Where the point is material, the claim file should include vendor schedules, artist location data or equivalent evidence rather than relying on a billing address.

Potentially qualifying VFX work

The activities below may qualify where the statutory conditions are met. The name of a department, a job title or an invoice line does not automatically determine treatment; the underlying activity, expenditure and location must all be tested.

Visual-effects activities that may qualify, with activity-specific caveats
ActivityPosition and caveats
Previsualisation used for the VFX processMay qualify where the previsualisation work forms part of the relevant visual-effects process rather than general creative development.
VFX concept design and storyboardingMay qualify where the design work is undertaken for the visual-effects work itself and is evidenced as such.
CGI characters, environments, objects and shotsMay qualify where the computer-generated imagery is created as part of the relevant visual-effects work.
CompositingMay qualify where elements are combined as part of the visual-effects process rather than as general picture editing.
Digital matte paintingMay qualify where the painted element is created digitally for use in the finished visual-effects imagery.
RotoscopingMay qualify where the work isolates or prepares elements for the visual-effects process.
Tracking and match-movingMay qualify where the work aligns computer-generated elements with photographed material.
Lighting and renderingMay qualify where the lighting and rendering relate to computer-generated imagery rather than on-set photography.
Colour correction and qualifying beauty workMay qualify only where the work falls within the relevant visual-effects activity; general grading of photographed material needs separate review.
Character or creature animation used as VFXMay qualify where the animation is produced as visual-effects imagery for a live-action production.
3D modellingMay qualify where the models are built for use in the relevant visual-effects imagery.
Motion captureMay qualify where the captured performance data is used in creating the visual-effects imagery.
Stereo conversionMay qualify where the conversion work forms part of the relevant visual-effects process.
Temporary VFX shotsMay qualify where temporary shots are produced as part of the visual-effects workflow, even if later replaced.
LIDAR or photogrammetry used to create VFX assetsMay qualify where the scanning is undertaken to build assets used in the visual-effects imagery.
Images created for virtual setsMay qualify where the imagery itself is created as visual-effects content; operating the display hardware during photography is a different matter.

Common exclusions and boundaries

Qualifying visual-effects work has to be distinguished from production costs that sit outside the enhancement, including the following.

  • Principal photography
  • Directors, camera operators and other filming staff who are not performing relevant VFX work
  • LED screens, volumes and the cost of operating them during principal photography
  • General hardware and capital equipment
  • Travel and subsistence
  • Transport and storage
  • Rent and general overheads
  • Finance, budgeting and logistics
  • Generic project management
  • Sound work and non-VFX editing
  • General on-set supplies
  • Expenditure capable of qualifying for research and development treatment where excluded by the applicable rules
  • Non-VFX elements sitting inside a wider post-production package

Mixed packages and mixed duties are common in practice. A post-production package that bundles VFX with grading, conform and delivery, or a supervisor who splits time between qualifying and non-qualifying work, requires a supportable apportionment rather than an all-or-nothing treatment.

Vendors and internal teams

Qualifying services may be acquired from third-party VFX vendors. Freelancers and partnerships may also need to be identified in the claim information, so the underlying engagement records matter as much as the ledger entries.

Direct production-company costs may qualify where the personnel concerned perform or directly manage relevant VFX work. Senior management, general production support and administrative activity do not qualify merely because they relate to the VFX department.

Software, cloud services, AI and hardware

Essential short-term software licences and qualifying cloud-computing or storage costs may potentially qualify. Long-term licences and capital items require separate consideration and should not be assumed to fall inside the claim.

AI or AI-assisted tools can constitute computer technology, but the underlying activity, expenditure, location and other statutory conditions must still be satisfied. The use of AI does not automatically make a cost qualifying.

Hardware is generally a capital or excluded boundary and must not be presented as routinely qualifying. Where hardware costs are material to a production, they should be reviewed separately from the VFX services analysis.

The 39% treatment

34%

Standard AVEC headline rate

The standard headline rate for most qualifying film and high-end television expenditure.

39%

Qualifying enhanced VFX expenditure

The total headline treatment for qualifying relevant UK visual-effects expenditure.

The enhancement is not 34% plus another 39%. The 39% figure is the total headline treatment for the qualifying VFX element, and the calculation deducts the standard AVEC already credited on that expenditure.

It should also not be described simply as a five-percentage-point cash top-up, because exemption from the 80% restriction may change the qualifying base as well as the rate.

The credit is taxable and subject to the expenditure-credit redemption mechanism. HMRC sets out the AVEC redemption steps in its manual.

The 80% restriction exemption

Standard AVEC generally uses the lower of UK core expenditure and 80% of total core expenditure. Qualifying relevant UK VFX expenditure is removed from that normal 80% restriction.

The exemption does not turn overseas VFX expenditure into UK expenditure. It changes how qualifying UK visual-effects expenditure is treated within the restriction; it does not change the underlying territorial test.

The production still needs evidence identifying the qualifying UK activity behind the figures, because the exemption applies only to expenditure that has already satisfied the statutory conditions.

Completion and earlier AVEC claims

Standard AVEC may have been claimed in accounting periods before completion. The additional VFX calculation, by contrast, is generally undertaken in the completion period or a later period.

It can take account of eligible expenditure incurred in relevant earlier periods, so the analysis is not limited to costs falling in the completion period itself.

Previously claimed AVEC must be reconciled so that the same expenditure is not credited twice. Completion includes completion or abandonment under the applicable rules; HMRC explains completion and abandonment for expenditure-credit purposes in its manual.

Final certification

A final BFI certificate is normally required for the completion-period claim. Where earlier claims were made on the strength of an interim certificate, those claims may need correction or repayment if final certification is not obtained, subject to any abandonment exception that applies.

Singletree can support the financial records and claim preparation, but we do not issue BFI certificates and we are not affiliated with or endorsed by the BFI or HMRC. For the certification route itself, see our guide to the BFI Cultural Test. HMRC sets out the final certification requirement, and the BFI publishes guidance on British certification for expenditure credits.

High-level calculation framework

The sequence below is a simplified conceptual framework. It is not claim software, not a cash-benefit calculation and not a substitute for the statutory computation. HMRC sets out the calculation of the additional VFX credit in its manual.

  1. 1. Determine the relevant qualifying UK VFX expenditure.
  2. 2. Apply the 39% headline rate.
  3. 3. Identify the adjusted VFX portion of standard AVEC already claimed.
  4. 4. Deduct any relevant earlier additional VFX credit.
  5. 5. Determine the additional VFX amount for the period.
  6. 6. Include the resulting credit within the company’s applicable AVEC redemption process.

Later-period adjustments

Later cost changes, credits, reallocations or errors can alter the calculation after a claim has been made. A recalculation may produce a negative adjustment rather than a further credit.

The treatment and the CT600P presentation must follow the current HMRC filing guidance for the relevant accounting period. Aspects of the legislative history in this area have moved, so a position taken for one period should not be assumed to carry across to another. HMRC sets out later and negative adjustments to the additional VFX credit in its manual.

Claim process and filing

The sequence below is the usual order of work for an enhanced VFX claim.

  1. 1.Confirm the production and claimant-company conditions.
  2. 2.Confirm the correct AVEC or IFTC classification.
  3. 3.Establish the certification status.
  4. 4.Identify completion or abandonment.
  5. 5.Build the VFX cost population.
  6. 6.Separate qualifying and excluded activities.
  7. 7.Establish the physical work locations.
  8. 8.Analyse vendor and internal-team expenditure.
  9. 9.Apportion mixed services and mixed-location work.
  10. 10.Reconcile the standard AVEC already claimed.
  11. 11.Prepare the additional VFX calculation.
  12. 12.Complete the creative-industries additional information form.
  13. 13.Complete the applicable CT600 and CT600P entries.
  14. 14.Retain the evidence and submit within the statutory window.

Claim information is submitted through the creative industries additional information form, and returns submitted on or after 6 April 2026 use CT600P under HMRC’s guidance on completing the CT600P page.

A general two-year claim window applies, measured by reference to the relevant accounting period, but special rules can apply to long periods of account and to amended returns. HMRC sets out the time limits for expenditure-credit claims, and the deadline for a particular production should be confirmed rather than assumed.

Evidence and records

A defensible claim file usually contains the following.

  • Production and claimant-company details
  • Accounting periods and the completion date
  • BFI interim and final certificates
  • Production budgets and cost reports
  • General ledger and nominal analysis
  • Vendor contracts and statements of work
  • Supplier invoices
  • Vendor schedules
  • Freelancer and partnership details
  • Personnel roles and duties
  • Physical work-location evidence
  • Time records where relevant
  • Asset or shot-level records
  • Software and cloud-service records
  • Apportionment methodology
  • Related-party transactions
  • Earlier AVEC computations
  • Additional information form data
  • CT600 and CT600P reconciliation
  • Evidence supporting later adjustments

Common claim risks

The issues below account for most of the difficulty we see in this area.

  • Treating 39% as an extra credit on top of 34%
  • Claiming before the permitted completion period
  • Missing final certification
  • Including a production claiming IFTC
  • Using a vendor’s headquarters as the work-location test
  • Including overseas artist activity
  • Including principal photography or virtual-production hardware
  • Treating entire post-production packages as VFX
  • Including capital software or hardware
  • Weak analysis of internal staff and supervisor duties
  • Unsupported mixed-location apportionment
  • Double counting expenditure already reflected in standard AVEC
  • Missing vendor details on the additional information form
  • Failing to update the calculation after later cost changes
  • Missing the filing deadline

How Singletree can support

Within an agreed scope, we can help with the following.

  • Initial regime and eligibility review
  • Coordination between AVEC, IFTC and certification status
  • VFX cost mapping
  • Vendor and internal-team analysis
  • UK work-location evidence
  • Apportionment methodology
  • Reconciliation with earlier AVEC claims
  • Additional information form preparation
  • CT600P and corporation-tax computation support
  • Records pack and enquiry readiness
  • Coordination with the production’s legal, certification and audit advisers

We do not determine legal eligibility, certify a production, perform statutory audit work automatically or guarantee HMRC acceptance of a claim. The final scope depends on the production, the accounting periods, the quality of the records and the specialist input required.

Enhanced VFX expenditure credit questions

What is the additional VFX expenditure credit?

It is an enhancement within the Audio-Visual Expenditure Credit for qualifying UK visual-effects expenditure on eligible films and high-end television programmes. It increases the headline expenditure-credit treatment for that qualifying VFX expenditure to 39% and removes it from AVEC’s normal 80% restriction. It is not an additional 39% on top of standard AVEC, and the completion-period calculation takes account of the relevant AVEC already claimed. The credit is taxable and passes through the expenditure-credit redemption mechanism, so 39% is a headline rate rather than a guaranteed cash benefit.

Is the 39% VFX rate added to the standard 34% AVEC rate?

No. Standard AVEC has a 34% headline rate for most qualifying film and high-end television expenditure. Qualifying enhanced VFX expenditure receives a total headline treatment of 39%, not 34% plus a further 39%. It is also inaccurate to describe the enhancement simply as a five-percentage-point cash top-up, because exemption from the 80% restriction may change the qualifying base as well as the rate. The final position depends on the calculation for the period and on the redemption steps that follow.

Which productions can claim the enhanced VFX treatment?

The principal target categories are qualifying films and qualifying high-end television programmes. Qualification remains subject to the underlying AVEC conditions, the production-company rules, the separate production trade requirement and the applicable British certification or official co-production requirements. Meeting the visual-effects conditions alone is not enough if the production itself does not qualify for AVEC.

Can an independent film claiming IFTC use the additional VFX credit?

No. A certified independent film claiming the Independent Film Tax Credit cannot also claim the separate additional visual-effects expenditure credit. Where a film has significant potentially qualifying visual-effects expenditure, a comparison between standard AVEC with the VFX enhancement and IFTC may be appropriate, and that comparison should rest on project-specific advice rather than a general rule.

Can animation or children’s television productions qualify?

A production claimed under the animation or children’s television AVEC categories does not simply receive this enhancement automatically. Where a production could potentially fall within more than one regime, the classification and any election consequences must be checked project by project before a position is taken. There is no universal answer for a dual-category production.

What visual-effects work may qualify?

Activities that may qualify include previsualisation used for the VFX process, VFX concept design and storyboarding, CGI characters, environments, objects and shots, compositing, digital matte painting, rotoscoping, tracking and match-moving, lighting and rendering, colour correction and qualifying beauty work, character or creature animation used as VFX, 3D modelling, motion capture, stereo conversion, temporary VFX shots, LIDAR or photogrammetry used to create VFX assets, and images created for virtual sets. Each is subject to its own caveats: the name of a department or an invoice does not determine treatment, and the underlying activity, expenditure and location conditions must all be satisfied.

Does the VFX supplier need to be a UK company?

The statutory test is not simply whether the supplier is British. The expenditure must be relevant global expenditure, UK expenditure, and incurred on relevant VFX work carried out in the UK. The relevant question is generally where the person performing the work is physically based, so a vendor’s registered office or group headquarters does not decide the answer. Work by UK-based artists may potentially qualify even where cloud infrastructure is overseas, and mixed UK and overseas activity requires a just and reasonable apportionment. Supplier invoices alone may not prove the physical work location.

Can software, cloud computing or AI-assisted VFX tools qualify?

Essential short-term software licences and qualifying cloud-computing or storage costs may potentially qualify, while long-term licences and capital items require separate consideration. AI or AI-assisted tools can constitute computer technology, but the underlying activity, expenditure, location and other statutory conditions must still be satisfied, and AI use does not automatically make a cost qualifying. Hardware is generally a capital or excluded boundary and should not be presented as routinely qualifying.

How does the exemption from the 80% restriction work?

Standard AVEC generally uses the lower of UK core expenditure and 80% of total core expenditure. Qualifying relevant UK visual-effects expenditure is removed from that normal 80% restriction, which can increase the qualifying base for the enhanced element. The exemption does not turn overseas VFX expenditure into UK expenditure, and the production still needs evidence identifying the qualifying UK activity behind the figures.

Why is the additional VFX credit generally claimed at completion?

Standard AVEC may have been claimed in periods before completion, whereas the additional VFX calculation is generally undertaken in the completion period or a later period. It can take account of eligible expenditure incurred in relevant earlier periods, and the AVEC previously claimed must be reconciled so the same expenditure is not credited twice. Completion includes completion or abandonment under the applicable rules, and a final BFI certificate is normally required for the completion-period claim.

What records and filing information are required?

A claim is usually supported by production and claimant-company details, accounting periods and the completion date, BFI interim and final certificates, budgets and cost reports, general ledger analysis, vendor contracts, statements of work, invoices and vendor schedules, freelancer and partnership details, personnel roles and duties, physical work-location evidence, time records where relevant, asset or shot-level records, software and cloud-service records, the apportionment methodology, related-party transactions, earlier AVEC computations, the additional information form data and the CT600 and CT600P reconciliation. Returns submitted on or after 6 April 2026 use CT600P under current HMRC guidance, and the general two-year claim window can be affected by long periods of account or amended returns.

Next step

Discuss an enhanced VFX claim

It helps to have the following to hand before we speak.

  • Production type
  • Production-company details
  • AVEC or IFTC classification
  • Completion or abandonment status
  • BFI certification status
  • Accounting periods
  • VFX vendors and internal teams
  • Physical work locations
  • VFX cost breakdown
  • Software, cloud and hardware costs
  • Earlier AVEC claims
  • Filing deadline

Reviewed: August 2026. This page provides general information only. The rules, rates, forms and HMRC and BFI guidance in this area can change, and eligibility and claim treatment depend on the production, the company, the expenditure, the certification position, the accounting period and the legislation in force at the time. Project-specific advice is required before any claim position is taken. The BFI decides certification and HMRC determines tax claims.